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Adelitas Way

Adelitas Way

Letters From The Fire, The Black Moods, MANAFEST

Sun, March 12, 2017

Doors: 6:30 pm / Show: 7:00 pm (event ends at 11:30 pm)

$15.00 - $18.00

Off Sale

This event is all ages

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Adelitas Way
Adelitas Way
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Letters From The Fire
Letters From the Fire
Worth the Pain
"These are our stories our trials and tribulations. This is who we are."That's Mike Keller, the guitarist/founder behind the Bay Area rock powerhouse Letters From the Fire, explaining his band's moniker. Ostensibly lifted from an old lyric, the phrase now serves as both a reminder of the band's sometimes turbulent origin—as well as a rallying cry as the group moves forward and (re)introduces themselves to the music world. While Letters From the Fire has existed for a bit, the group only recently solidified a lineup that best represents Keller's original vision (the band is rounded out by Alexa Kabazie, Cameron Stucky, Clayton Wages and Brian Sumwalt). The band found a modicum of early success doing national tours with the likes of Fuel, Trapt, Non Point and Pop Evil, recording with former Evanescence guitarist Ben Moody and scoring a few rock radio hits ("Zombies in the Sun," a cover of "Eleanor Rigby"). But singer changes abounded... until they met Alexa Kabazie. "We heard about this singer from Kile Odell, this producer we were working with," says Keller. "She was killing it on the demos we heard. We had to fly to North Carolina just to see if she could do it in person. She nailed the audition literally on the first try. Two weeks later, we already had seven songs ready to go. She's a star in the making." With Kabazie now helping out on melody and lyrics, the band shifted gears. "She was all over the heavy stuff," says Keller. "We actually scratched a lot of stuff and wrote around her voice. It's interesting what she brings, because we're not really like In This Moment or Halestorm or anything you're hearing in rock right now." You can hear the band's new focus on Worth the Pain, 13 new songs that offer a beguiling mix of melody and heaviness. Along the way, the album offers twists and turns: The slow piano build of "At War" gives way to the harsher realm of "Control," while the heavy groove of "Last December" co-exists near the perfect mix of pop and aggression in "Mother Misery." Throughout, Kabazie sounds both defiant and reflective, stating "I've been a soldier in every battle except my own" and, in the title track, simply stating "Thank you for walking away." There are wounds here. "The record is full of stories," says Keller. "And this is the first time I really felt something lyrically when we were writing the record. Alexa actually says what she means. Her songs actually have helped me get through a lot of my own personal shit." The first single, "Give In to Me," a pummeling mix of electronics and heavy guitar, centers around a person who has an addiction that gives into their dark side. To compliment the song, the video features a mysterious stranger torturing a prisoner, who (Fight Club-esque spoiler alert) ends up being themselves.
After the video and album release, the band plans to hit the road for the foreseeable future, concentrating on the now. "We're just going to play the new stuff," says Keller. "Shed the past, let this stand on its own." Expect the album's title track to be a highlight. Like the band's name, it seems to summarize the group's early struggles and present triumphs. "With everything we've gone through, we kept fighting," says Keller. "There were times we were so close to giving up and moving on. At the end of the day, it's been worth the struggle and the fight to do this."
The Black Moods
Two hundred miles south of Phoenix, AZ sits a sleepy little Mexican town called Puerto Peñasco - the roads aren't paved, the streets are identified by only the occasional sign, and the rocky coastlines are some of the most beautiful you'll ever see. The English translation is, appropriately, Rocky Point - because on this summer weekend, a short hop over the Mexican border, Tempe, AZ, rockers THE BLACK MOODS are demonstrating just how expansive their homegrown blend of rock and roll is, performing five shows in four days - including a sunset show on the town's only expanse of sandy beach, headlining a festival for more than 3,000 fans, and an acoustic set for a private party, performed on a patio overlooking the Sea Of Cortez.

"Growing up, nothing affected me or had an impact on me as much as music - my dad played music and I knew, for as long as I could remember, that's what I wanted to do," says frontman and guitarist Josh Kennedy. "Now I'm able to see the impact our music has on other people, and there's no better feeling in the world. We play shows in Mexico where a lot of the fans can't even speak English, but they love us and feed us as much energy as our crowds at home. We aren't trying to reinvent the wheel, we just want people to feel good, have a good time, and get turned on by what we do."
There is nothing dated about their sound or style, but THE BLACK MOODS are very much a throw-back, transporting us to a time when bands earned their stripes not by being by-products of the studio, but rather, by honing their chops on the live circuit and mastering the nuances of turning every stage into a celebration of music, and transforming every audience into a bristling extension of the band. It's not uncommon for the band to play three times a week throughout the Valley Of The Sun. And because sometimes that's not even enough rock and roll, Kennedy impeccably delivers Keith Richards' licks on occasion in a local all-star Rolling Stones tribute. They say rock stars are born, not made - and while there is definitely something special in the swagger and charm that marks THE BLACK MOODS, don't discount the countless hours the trio have dedicated to perfecting their craft, continuing to perform everywhere from your more standard festivals and club shows, to high-end house parties and even prison performances (as invited guests, of course).
"You can shove us in a corner without a PA and we will play just as hard as we do in front of thousands at a festival. Our goal is always the same - to blow people away," says Kennedy. "Why wouldn't you want to play three or four nights a week if you could? If we weren't playing out we'd be playing in the studio by ourselves - of course we'd rather do it out in a club, make new friends and fans, and feel that connection that drove us to want to be musicians in the first place."
Kennedy moved to the southwest from Wheaton, MO, as a teen, pursuing an opportunity to tech for one of his favorite bands. A few years, bands, and a bevy of experiences later, he met drummer Chico Diaz, another fixture in local bands who, ironically, has early roots in Rocky Point, Mexico. As diametrically opposed as the two may appear - Diaz embracing a more modern vibe than Kennedy's pegged jeans and Robert Plant visage - the two are closer than most brothers.

"We're brothers that think totally differently, but we have the same goal, the same drive, and our eyes are on the same prize," says the drummer. "That's why it works - it started as a band, and it's become so much more. We can't imagine doing anything else, let alone doing it with anyone else." In a nod to their vintage roots, Diaz explains how THE BLACK MOODS itself pays homage to one of their favorite bands. "We are always watching music documentaries in the studio, and there was a Doors documentary where Ray Manzarek said, 'watch out, Jim [Morrison] is in one of his black moods.' That inspired us to write a song called 'Here's To Black Moods' - the name evolved from there."


New Album "Medicine" Out Now!
released by AnotherCentury/Sony Records
The final piece of THE BLACK MOODS equation is bassist Johannes Lar, an Army combat vet who is no stranger to the heat, bringing his seamless precision from the sands of Afghanistan to the Arizona desert. After spending several years polishing their instinctive sound, fine-tuning their chemistry and crafting a set of original songs that blurs the lines between the '70s icons that inspired them, the turn of the century acts that transformed them, and the modern sounds that they call home, THE BLACK MOODS are now prepared to unveil their full-length debut to a worldwide audience via Another Century/Sony in fall 2016. Get ready to turn up the heat.
MANAFEST
MANAFEST
"True peace comes from Jesus and from being content with what you have right now. I'm a big believer in setting goals and striving for bigger things but you've got to enjoy—and be present in—the moment you're in now."—Manafest

In a world where conformity is king and sticking with the status quo is often a well-honed survival instinct, four-time Dove Award nominee Manafest has always found contentment in doing his own thing.
And refusing to be anyone but himself has clearly served him—and his artistry well. Even on the heels of his wildly popular, bestselling album Fighter, Manafest (real name: Chris Greenwood) refused to settle into a familiar, if-it-ain't-broke-don't-fix-it mentality when making the follow-up, The Moment. If anything, the Canadian born and California-based artist and author was even more compelled to dig deeper both lyrically and creatively.
The result is easily Manafest's most innovative and personal project yet. Centering around the importance is being present in all of life's moments, whether big or small, Manafest also shook things up sonically by teaming up with three producers, Thousand Foot Krutch's Joel Bruyere (10 tracks), frequent collaborator Adam Messinger ("Edge of My Life" and Joshua O'Haire ("Light").
Giving listeners a transparent look behind the curtain of his thoughts, beliefs and outlook on life, The Moment also showcases Manafest's unique abilities as a rapper, rhymer and vocalist.
With the album's first single "Edge of My Life," Manafest's passionate approach to song craft is immediately evident. A declarative, hopeful ode to surviving and thriving in life's most challenging seasons, Manafest definitely sings with the conviction of someone who's been there. One of those special moments that every artist hopes for—and aspires to— when making an album, the track's memorable, melodic structure is definitely easy on the ears as well.
For the album's title track, Manafest successfully merges style and substance and issues a stirring clarion call against compromise and selling out for money, while "My Way" and "Cage" are inspiring personal pleas for being independent and pursuing your specific passions despite what the masses may think.
"A lot of people will try and force you into a box, but it's crucial to find your own path," Manafest shares. "I've learned you've got to lean on your dreams, and that dream has to be so big that you're not willing to back down on it. With my music, I know I only have three to four minutes to say something, and with some songs, I just want people to rock out. With others, I want people to be inspired to go change the world."
As someone who has always used his platform to share what God has done in his life, Manafest always wants to meet listeners where they are. On "Diamonds," which he co-wrote with Thousand Foot Krutch's frontman Trevor McNevan, he tackles the timely issue of addiction.
"When we were working on the beat, I couldn't stop thinking about someone struggling with addiction and turning to drugs," Manafest remembers. "I remember reading Brian 'Head' Welch's book, Save Me From Myself, and how he took a picture of what he didn't want to have power over him. After giving up drugs, he found some while cleaning his house. Before he flushed them down the toilet, he took a picture of them, a reminder of 'Hey, you don't have power over me.' That imagery was on my mind as I was writing 'Diamonds.'"
Providing contrast to the album's more serious moments, "Paradise" and "Thrill of it All" are joyful ruminations from the other side of struggle. Whether celebrating the sacrifices that he and his wife made to pursue God's calling in "Paradise" or happily reflecting on the magical moments found in everyday realities in "Thrill of It All," Manafest offers a full picture of God's grace in the ordinary and extraordinary. And as a first-time father to a daughter, London, he says her arrival has made everything in life so much bigger and more awesome.
"All of the songs were written before she was born, but knowing I was going to have a kid made me reach deeper. It made me realize that the decisions I was making weren't just affecting me anymore," Manafest reflects. "All my songs are part of my legacy that I'm going to be leaving behind, and I want to make sure I don't take that lightly."
For more information on Manafest, please visit www.manafest.com.
Venue Information:
The Phoenix Theater
201 Washington St
Petaluma, CA, 94952
http://www.thephoenixtheater.com/